Do Revenge review: Camila Mendes did a kinky version of Mean Girls

[ad_1]

Alfred Hitchcock’s Influence Is Evident In Netflix’s Teen Black Comedy get revenge. It was inspired by his 1951 thriller film. strangers on a trainwhich in turn was inspired by a novel by The talented Mr. Ripley writer Patricia Highsmith. But instead of focusing on a twisted murder plot, get revenge centers on a plot to end the social status of two members of the It Crowd.

The film fits perfectly into the canon of dark comedies about the cruelty of teenage girls. heathers either Bad Girls. Director Jennifer Kaytin Robinson (co-writer of Thor: love and thundercreator of Sweet/Vicious) weaves together a strong 2022 update to the genre. Some romantic subplots slow down the film’s midpoint, but in the end, the film picks up its momentum and comes together for a satisfying ending.

[Ed. note: This review contains setup spoilers for Do Revenge.]

Camila Mendes and Maya Hawke at Do Revenge wearing elegant outfits in front of a sparkling backdrop.

Photo: Kim Simms/Netflix

get revenge follows Drea (Camila Mendes), formerly the most popular girl in school, until her reputation comes crashing down, not only because her ex-boyfriend Max released her sex tape, but also because she punched him in the face afterward. Drea attends her exclusive Miami prep school on scholarship, while her ex (Austin Abrams) comes from a wealthy family. He has more social capital than her, so he can turn her friends and the rest of the school against her, claiming that a video was leaked from her phone and that she assaulted him for no reason. Drea just wants to grit her teeth and finish her senior year, but that changes when she meets transfer student Eleanor (Maya Hawke).

Years ago, Eleanor became a social outcast when her crush Carissa (Ava Capri) spread a rumor that Eleanor forcefully grabbed and kissed her. After landing in the same school as Carissa, Eleanor fears that she will see her again. After an emotional moment in the bathroom, Eleanor and Drea bond over the people who have wronged them and hatch a plan for revenge, but with one important caveat. The two decide to swap revenge goals: Drea will take down Carissa, while Eleanor will infiltrate Max’s group of friends for the ultimate revenge.

Like other movies in the mean girl high school subgenre, get revenge focuses on intricate social plots and vicious popular cliques. But it’s not a spin-off or a clich√©: instead, it’s a natural evolution of this type of movie for 2022. Some parts of high school are constant, but youth culture evolves rapidly, so teen movies, especially the that adapt or pay homage to older people. material: you run the risk of feeling outdated. get revenge it dodges that curse because of the way Robinson and co-writer Celeste Ballard cleverly update certain plot points.

a skinny blond boy in front of a banner that reads straight cis men defending the league of students who identify as women.  behind him, three men applaud

Photo: Kim Simms/Netflix

On the one hand, Max is a villain for 2022: a handsome straight rich white boy who uses public performance arousal to hide his true motives. And as a young man of privilege, Max is basically untouchable. But that just means Drea and Eleanor have to come up with an even more fun and complex plan to bring him down, and at first, it makes it easier to root for them.

But as his actions increase, his obsessions grow. Hawke and Mendes do a fantastic job of never giving the audience a clear persona to root for. At first, their friendship seems inspired, as they team up against those who wronged them. But then it becomes one-sided and toxic. And then it mutates into something completely different.

It’s an amazing ride, all done in influencer-worthy soft pastels. Part of the reason movies are liked heathers Y Bad Girls they became so iconic due to their strong visual palettes, playing with the conventions of idealized adolescence in their respective eras. get revenge continues the trend, updating the look of the film for those intimately familiar with a perfectly calibrated aesthetic that’s a perfect fit for social media hashtags, be it “Instagram witch” or #glamgirl.

four girls in pastel school uniforms sit around a fountain

Photo: Kim Simms/Netflix

When the film focuses on revenge plots, or Eleanor and Drea’s increasingly toxic relationship, it’s sharp and tight. But midway through, some romantic B-plots start to take center stage. Drea gets involved with Carissa’s friend, rebellious artist Russ (Rish Shah), while Eleanor flirts with Max’s sister Gabbi (Talia Ryder). While some of those scenes are sweet, none of these relationships do much to make Eleanor or Drea more understanding or more despicable. They seem to exist out of a feeling that teen movies need mandatory romance, and nothing more. They end up dragging the movie and slowing it down.

In the end, however, the film returns to Eleanor and Drea, and for the better. A series of twists and turns brings them back together, and they take on one another in delightfully unnerving ways. At some points, it feels like the movie is going to become a moralizing statement about the dangers of revenge, especially when Drea’s college plans are put in jeopardy. But Robinson and Ballard cleverly avoid those pitfalls, showing that they understand what audiences really want from these types of movies: the vicarious thrill of watching vicious teenage girls go to great lengths to get what they want, while navigating the complicated relationships that form. one with the other. Without spoiling too much, Eleanor and Drea get both what they want and what they deserve. It’s a satisfying conclusion that neither punishes nor praises them. Just ignore the cheesy afterwords where they woo their potential love interests.

get revenge debuts on Netflix on September 16.

[ad_2]

Source by [author_name]